Turn off the visibility of the “Layer 1” layer and save the image. Repeat STEP 16 for the left side, but use orange and dark red tones.įill the bottom area with dark red, like below. The color intensity is controlled by the pen pressure, use this to create dark tones faster. Change the color to lighter tones for the center area and darker tones for the edges. Grab the Brush Tool (B), set it to Watercolor, pick a saturated sky blue color and paint the area shown below. Create a new layer and place it below “Layer 1” (CTRL+[ ). Launch Paint Tool SAI and click-drag the. Grab the Brush Tool (B) and paint over the extra areas. Select the layer group and go to Layer > Layer Mask > Reveal All. For this layer, draw thin, bright lines only where the reflection is strong. Repeat STEPS 9-11 to create shadows and highlights for the details base.Ĭreate a new layer and name it “gloss”. Make sure they have sharp ends – you can use pressure-sensitive brushes for them. Pick a darker gray tone, set the brush’s Hardness to 100% and Opacity to 100% and draw curved, thick lines like below. Repeat STEP 9 for the shadows, but set the Blending mode to “Multiply” and name the layer “shadows base”.įurther, create a new layer and name it “details base”. Grab the Brush Tool (B), set its Hardness to 0% and Opacity to 40% and paint the soft highlighted areas. Set its Blending mode to Soft Light, hit D, then X. It’s like working with toned paper, but the medium is a digital canvas.Ĭreate a new layer, name it “highlights base” and ALT-click between it and the layer below it. This will be the drawing base for the shadows and highlights. Now grab the Brush Tool (B), set the Foreground color to a midtone gray and fill the entire shape. Again, keep it a sketch, don’t bother drawing very smooth and clean lines.Ĭreate a new layer, name it “base color” and hit CTRL+[ to place it below the sketch. Take the sketch further and add volume and some major details. This way, you create organic bonds between them and make them blend in seamlessly. The secret to a good design is to find shapes to complement the ones near or below it. You can either look up one of the characters (mine was Metalbeak – yes, the villain) or shape your own, custom design. Grab the Brush Tool (B), make it really thin (5 px) and let’s begin shaping up the helm. Rename the group to “Owl”.Ĭreate a new layer (Layer > New > Layer or CTRL+SHIFT+N). Rename this layer “Owl base” (Layer > Layer Properties…) and hit CTRL+G to place it in a layer group. Hit Q again to exit Quick Mask mode and go to Layer > Layer Mask > Reveal All. Use a large brush to cover the inner area, then use a small brush for the tiny details. Now grab the Brush Tool (B), set its Hardness to 100%, Opacity to 100% and paint over the owl. The layer is now called “Layer 0” and it’s editable. In the Layers palette (F7), double-click the lock near the layer thumb and hit OK. Now that we have a composition in mind, let’s start shaping it up! STEP 1 This is how the design would look in grayscale and no details. Also we will need a clean area to add text, so I guess the bottom area will do nicely and will provide a nice stability element for the entire design. Overall, the owl will have a dominant dark tone, since it will be the closest element, so we’ll need a light background to contrast with it. I use a Black & White adjustment layer to show everything in grayscale. At the moment, we just want to establish the tones in teh composition, regardless of details or color palette. – defined by round shapes and sharp cornersīased on these traits, we can start working on our composition. Now let’s take some notes on the characteristics of these characters! First, research! Google some posters, covers, banners, whatever you find will be OK. – create textured backgrounds Final Image Previewīefore we start, there are a few things we need for this to go smooth. – create cool compositions for your designs – rust textures by Design TNT By following this tutorial you will learn how to: ADVERTISMENT: The Best Deals For Digital Design Assets.
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